Here are seven of the most common mistakes I see young producers make when adding reverb into their mixes, and how to prevent yourself from making them.

You can even take this a step further and cross-reference your streaming metrics with your Next Big Sound analytics to discover some really powerful insights about your audience and understand which efforts are feeding into one another.

Nerves affect your body, which in turn affect your ability. Adrenaline pumping through your blood might cause you to sweat excessively, your spine might contact, your legs might start to feel like jelly, dilated pupils, dry mouth… You need to identify which symptoms you experience. Study them when you’re removed from the nervy situation. Gain clarity on them. The goal is to become familiar with how your body reacts, so that you can know what to expect, and prepare for it as best you can.

Art grants for schools

Writers like Scheibe attacked Bach’s in-depth use of musical theology, along with his general style, accusing him of “too much art.” Writing in Bach’s defense, his friend Birnbaum countered that “God is a harmonic being.” For Bach, composing was “not an act of free creation but… imaginative research” leading to a “musical science that seeks ‘insight into the depths of the wisdom of the world’” (Wolff, Bach: The Learned Musician).

Touring is great. But it can very quickly turn into exhaustive, monotonous work. Here are 10 great tips to keep things interesting and fun on the road.

The best syllabic recontextualization that I know of is DJ Premier’s use of a Biz Markie vocal in “Nas Is Like” by Nas. When Biz raps the line, “I’m highly recognized as the king of disco-in’,” he pronounces “recognized” as “recogNAAAHZed” with a loud and nasal emphasis on the last syllable. In “Nas Is Like,” Nas ends the first verse, “And of course, N-A-S are the letters that spell…” Then Premier scratches in Biz seeming to say “NAAAS.”

Though this case ruled in Porter’s favor and spies were found to not, in fact, be in the equation, the decision set a major precedent for music copyright cases. First of all, this was the first of Arnstein’s several legal battles that had been taken seriously. He was somewhat of a “full-time plaintiff,” and by 1946 had already unsuccessfully attempted to sue ASCAP, BMI, and Twentieth Century Fox Film. Although he did ultimately lose his case against Porter, this case helped establish the two-pronged test to determine copyright infringement that is still used today: Courts must determine if the defendant copied the plaintiff’s work, and whether this copying constitutes substantial similarity between the two works.

I probably cheated by throwing a festival in the mix, but there are a lot of great songwriters playing Gigawatts Festival, a 3-day romp in East Williamsburg featuring 80+ bands spread out at The Wick, The Well, and Our Wicked Lady. My favorites are tight dream-pop weavers Celestial Shore and art-soul-freaks Ava Luna. These guys exemplify songwriting as a true team effort, allowing for lots of colors and variations from each player. My band is playing as well (Saturday at 2:30pm); but it’s hardly worth mentioning, as I assume you’ll all still be in bed recovering after a week of taking in all of the excellent music this town has to offer!

Grants for college music programs

News Flash: The majority of the music industry is shallow and appearance driven. This applies especially to women. You’ll be hard-pressed to find a successful female pop singer who doesn’t fit a particular body image or age window for most of music history, sadly. For these reasons, the story of Susan Boyle is pretty incredible.

On this day, 57 years ago, James Brown and his Famous Flames recorded what would become one of the most earth-shattering funk and soul albums of all time.

Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!

Touring is great. But it can very quickly turn into exhaustive, monotonous work. Here are 10 great tips to keep things interesting and fun on the road.

Hi [band/manager name],