The Wu-Tang Clan will auction this handcrafted album off after an international museum listening tour, and bids are already coming in exceeding $5 million. This single copy is encased in a hand-carved silver and nickel-plated box, designed by the Moroccan artist Yahya and accompanied by ornate, artful gifts for the future owner, including a handmade leather-bound book, a custom engraved stamp with wax-seal, and various certificates of ownership dually signed by Artist and Purchaser.
And Ischi really did have the chops! Check out this live performance from 1983, where he sings one of Lang’s own classic tunes, “Mein Vater Ist Ein Appenzeller.”
It is real easy to mess up an entire mix with too much processing — in particular, mix buss compression. Over the years of searching the internet creeping on my favorite mixers’ (Jacquire King, Dave Pensado, Chris Lord-Alge, and many more) mix buss compression settings, I’ve found that a little goes a long way.
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In this case, the B♭ is the 9th, even though it looks like it should be called the 2nd. Tensions get bumped up an octave (2nd becomes 9th, 4th becomes 11th, and 6 becomes 13th).
This test that you can perform at home is important for two reasons. Firstly, it demonstrates how, when we talk about phase, we’re describing the relative relationship between the peaks and troughs of different waveforms and how they affect the cumulative volume. Secondly, the phase flip demonstrated above is one of the most common ways an (aspiring) audio engineer will relate to phase. Because simply inverting the phase of a signal can make so much of a difference to how it interacts with other signals, this functionality is built into a lot of audio equipment and is a cornerstone of good recording and mixing practice.
I found a MIDI version of the piece and brought it into Ableton Live. The MIDI file put the left and right hand of the piano on separate tracks, so I used separate instruments for each one: a palm-muted guitar for the right, and a synth pluck for the left.
This was the first single off of Dookie, which has sold 20 million copies to date. In 2004, celebrating the tenth anniversary of the album, artists such as Good Charlotte and Sum 41 recalled the impact Dookie had on their lives for an article on MTV.com. My favorite quote, which kind of encapsulates what Green Day first contributed to music, comes from Billy Martin from Good Charlotte. “I remember he said ‘masturbation’ in [‘Longview’], and I was like, ‘No way!’ Green Day didn’t care. They were just doing their thing and there was nothing like them on TV.”
The promise of the era was that through intellectual property reform, we would move to a more artist-friendly and less commercial music business. But the more things change, the more things stay the same.
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“Happier”: Wait, no… what are you… no! Not the dog, come on, man, not the dog, what are you doing to me, Marshmello? Okay, so here’s a form I’m not adequately equipped to categorize or compare to anything else: what’s stumping me is what to do with the three-bar space in between the pre-chorus and the solid chorus/refrain that’s introduced at the beginning. For now, I’m lumping it in with the chorus as part of a chorus variation. But you could also think of it as an extended part of the pre-chorus, especially as its lyric is taken from it. Or, I guess we could even call it an “interlude.” It’s slippery. I have to highlight the half-bridge that ends the song — you almost never see half-bridges.
“My family, we’re all musicians, we’re all artists, and my brother and sister, they usually make money by juggling at the stoplights or busking in Old San Juan,” she says. “And if there’s no stoplights left because they were all torn down in the hurricane, that means they don’t have their usual spot, and in Old San Juan, it’s not like any tourists are going to come to a disaster island. That is not something that we can count on.”
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And in 2017, Ischi paired up with YouTube sensations, the Gregory Brothers (of “Auto-Tune the News” and “Bed Intruder” fame), to produce “Chicken Attack.” Ischi stars as a Samurai-inspired, chicken-summoning warrior clad in lederhosen who harnesses “the power of nature” to fight crimes with the power of the “chicken attack.” It’s really worth the four minutes of your time:
“Thank you, I really loved this course and am so impressed with Soundfly! I want to keep taking courses with you indefinitely. I came to this course to learn about chords, and I learned about chords but also so much about music production — which I was not expecting! It was a nice surprise.”