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I get asked this question a lot and, to most people’s frustration, I have to say it comes down to experience. A good DJ specializes in two things: song selection and timing. That skill is only learned by DJing an insane amount of hours in front of hundreds of different audiences, observing and understanding what works and, more importantly, what doesn’t.
The promise of the era was that through intellectual property reform, we would move to a more artist-friendly and less commercial music business. But the more things change, the more things stay the same.
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It’s right there in the title — you’ll be able to make music in Logic Pro X! By the end of this course, you’ll be comfortable writing and editing complete tracks in Logic, and starting to get your mixes sounding awesome in a rough state.
For Lalita, a trained cellist, she is without work indefinitely and running out of money quickly as she shares all resources with family and friends in need. Sunday night, only hours after cooking at El Local, she suffered a panic attack, she says, which led her to make an agonizingly difficult decision.
Improve your composition, arranging, and writing with this collection of Soundfly articles full of tips and resources on music composition. For more help, check out Soundfly’s course, Introduction to the Composer’s Craft.
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Mix buss compression is a great way to add a little bit of excitement and glue to your mix. Some people like to slap it on the master buss after they have mixed it (Ryan West for example, whose credits include Jay-Z, Eminem, Kid Cudi, Maroon 5, T.I., Rihanna, and Kanye West). And some engineers like to slap a little bit of compression on in the beginning and mix through it. I don’t think there is a right or wrong way when it comes to when to put it on.
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However, adding a little bit of lemon to your water can promote clear, healthy singing, because it’s a natural mucolytic, which helps your body produce thin mucus.
Once you’ve laid down your piano track, you can quantize it so that your attacks line up perfectly with the grid. This is a good way to make sure everything is in time and won’t confuse your listener with any off beats. But don’t rely too heavily on the grid or you risk making your music sound stale. (*Luckily, by using randomization techniques, you can improve that too!)
This is a very classic song structure that can be found in everything from James Taylor to Ariana Grande. Here are some recent songs that use this structure (or something similar):
One of the first things you need to decide before purchasing a microphone for podcasting is what type of mic you should get: USB or XLR. In most cases, USB microphones have comparable sound quality to their XLR counterparts. The difference is in the way they capture sound.
I had already made an instrumental track last month, so I wanted to do something a little different this time around. With Kim’s vocals used as a garnish, I was starting to hear this as a vocally-driven track. I carved out sixteen bars that a rapper could flow over and sent it out to a few friends to see if they might be interested. But after a week of back and forth, the schedules weren’t lining up to get this track done in time. So, as is so often the case in making music, I had to adapt.